Poem of the Day

Robert Burns is always difficult an adventure for me to read, but I thought this poem just had to be posted today. If you’d like some background and/or definitions, visit robertburns.org, where I snaked the poem. Also, check out last year’s Halloween poem because it’s awesome!

Halloween
By Robert Burns

Upon that night, when fairies light
On Cassilis Downans dance,
Or owre the lays, in splendid blaze,
On sprightly coursers prance;
Or for Colean the rout is ta’en,
Beneath the moon’s pale beams;
There, up the Cove, to stray an’ rove,
Amang the rocks and streams
To sport that night;

Amang the bonie winding banks,
Where Doon rins, wimplin, clear;
Where Bruce ance rul’d the martial ranks,
An’ shook his Carrick spear;
Some merry, friendly, countra-folks
Together did convene,
To burn their nits, an’ pou their stocks,
An’ haud their Halloween
Fu’ blythe that night.

The lasses feat, an’ cleanly neat,
Mair braw than when they’re fine;
Their faces blythe, fu’ sweetly kythe,
Hearts leal, an’ warm, an’ kin’:
The lads sae trig, wi’ wooer-babs
Weel-knotted on their garten;
Some unco blate, an’ some wi’ gabs
Gar lasses’ hearts gang startin
Whiles fast at night.

Then, first an’ foremost, thro’ the kail,
Their stocks maun a’ be sought ance;

They steek their een, and grape an’ wale
For muckle anes, an’ straught anes.
Poor hav’rel Will fell aff the drift,
An’ wandered thro’ the bow-kail,
An’ pou’t for want o’ better shift
A runt was like a sow-tail
Sae bow’t that night.

Then, straught or crooked, yird or nane,
They roar an’ cry a’ throu’ther;
The vera wee-things, toddlin, rin,
Wi’ stocks out owre their shouther:
An’ gif the custock’s sweet or sour,
Wi’ joctelegs they taste them;
Syne coziely, aboon the door,
Wi’ cannie care, they’ve plac’d them
To lie that night.

The lassies staw frae ‘mang them a’,
To pou their stalks o’ corn;
But Rab slips out, an’ jinks about,
Behint the muckle thorn:
He grippit Nelly hard and fast:
Loud skirl’d a’ the lasses;
But her tap-pickle maist was lost,
Whan kiutlin in the fause-house
Wi’ him that night.

The auld guid-wife’s weel-hoordit nits
Are round an’ round dividend,
An’ mony lads an’ lasses’ fates
Are there that night decided:
Some kindle couthie side by side,
And burn thegither trimly;
Some start awa wi’ saucy pride,
An’ jump out owre the chimlie
Fu’ high that night.

Jean slips in twa, wi’ tentie e’e;
Wha ’twas, she wadna tell;
But this is Jock, an’ this is me,
She says in to hersel’:
He bleez’d owre her, an’ she owre him,
As they wad never mair part:
Till fuff! he started up the lum,
An’ Jean had e’en a sair heart
To see’t that night.

Poor Willie, wi’ his bow-kail runt,
Was brunt wi’ primsie Mallie;
An’ Mary, nae doubt, took the drunt,
To be compar’d to Willie:
Mall’s nit lap out, wi’ pridefu’ fling,
An’ her ain fit, it brunt it;
While Willie lap, and swore by jing,
‘Twas just the way he wanted
To be that night.

Nell had the fause-house in her min’,
She pits hersel an’ Rob in;
In loving bleeze they sweetly join,
Till white in ase they’re sobbin:
Nell’s heart was dancin at the view;
She whisper’d Rob to leuk for’t:
Rob, stownlins, prie’d her bonie mou’,
Fu’ cozie in the neuk for’t,
Unseen that night.

But Merran sat behint their backs,
Her thoughts on Andrew Bell:
She lea’es them gashin at their cracks,
An’ slips out-by hersel’;
She thro’ the yard the nearest taks,
An’ for the kiln she goes then,
An’ darklins grapit for the bauks,
And in the blue-clue^9 throws then,
Right fear’t that night.

An’ ay she win’t, an’ ay she swat-
I wat she made nae jaukin;
Till something held within the pat,
Good Lord! but she was quaukin!
But whether ’twas the deil himsel,
Or whether ’twas a bauk-en’,
Or whether it was Andrew Bell,
She did na wait on talkin
To spier that night.

Wee Jenny to her graunie says,
“Will ye go wi’ me, graunie?
I’ll eat the apple at the glass,
I gat frae uncle Johnie:”
She fuff’t her pipe wi’ sic a lunt,
In wrath she was sae vap’rin,
She notic’t na an aizle brunt
Her braw, new, worset apron
Out thro’ that night.

“Ye little skelpie-limmer’s face!
I daur you try sic sportin,
As seek the foul thief ony place,
For him to spae your fortune:
Nae doubt but ye may get a sight!
Great cause ye hae to fear it;
For mony a ane has gotten a fright,
An’ liv’d an’ died deleerit,
On sic a night.

“Ae hairst afore the Sherra-moor,
I mind’t as weel’s yestreen-
I was a gilpey then, I’m sure
I was na past fyfteen:
The simmer had been cauld an’ wat,
An’ stuff was unco green;
An’ eye a rantin kirn we gat,
An’ just on Halloween
It fell that night.

“Our stibble-rig was Rab M’Graen,
A clever, sturdy fallow;
His sin gat Eppie Sim wi’ wean,
That lived in Achmacalla:
He gat hemp-seed, I mind it weel,
An’he made unco light o’t;
But mony a day was by himsel’,
He was sae sairly frighted
That vera night.”

Then up gat fechtin Jamie Fleck,
An’ he swoor by his conscience,
That he could saw hemp-seed a peck;
For it was a’ but nonsense:
The auld guidman raught down the pock,
An’ out a handfu’ gied him;
Syne bad him slip frae’ mang the folk,
Sometime when nae ane see’d him,
An’ try’t that night.

He marches thro’ amang the stacks,
Tho’ he was something sturtin;
The graip he for a harrow taks,
An’ haurls at his curpin:
And ev’ry now an’ then, he says,
“Hemp-seed I saw thee,
An’ her that is to be my lass
Come after me, an’ draw thee
As fast this night.”

He wistl’d up Lord Lennox’ March
To keep his courage cherry;
Altho’ his hair began to arch,
He was sae fley’d an’ eerie:
Till presently he hears a squeak,
An’ then a grane an’ gruntle;
He by his shouther gae a keek,
An’ tumbled wi’ a wintle
Out-owre that night.

He roar’d a horrid murder-shout,
In dreadfu’ desperation!
An’ young an’ auld come rinnin out,
An’ hear the sad narration:
He swoor ’twas hilchin Jean M’Craw,
Or crouchie Merran Humphie-
Till stop! she trotted thro’ them a’;
And wha was it but grumphie
Asteer that night!

Meg fain wad to the barn gaen,
To winn three wechts o’ naething;
But for to meet the deil her lane,
She pat but little faith in:

She gies the herd a pickle nits,
An’ twa red cheekit apples,
To watch, while for the barn she sets,
In hopes to see Tam Kipples
That vera night.

She turns the key wi’ cannie thraw,
An’owre the threshold ventures;
But first on Sawnie gies a ca’,
Syne baudly in she enters:
A ratton rattl’d up the wa’,
An’ she cry’d Lord preserve her!
An’ ran thro’ midden-hole an’ a’,
An’ pray’d wi’ zeal and fervour,
Fu’ fast that night.

They hoy’t out Will, wi’ sair advice;
They hecht him some fine braw ane;
It chanc’d the stack he faddom’t thrice
Was timmer-propt for thrawin:
He taks a swirlie auld moss-oak
For some black, grousome carlin;
An’ loot a winze, an’ drew a stroke,
Till skin in blypes cam haurlin
Aff’s nieves that night.

A wanton widow Leezie was,
As cantie as a kittlen;
But och! that night, amang the shaws,
She gat a fearfu’ settlin!
She thro’ the whins, an’ by the cairn,
An’ owre the hill gaed scrievin;
Whare three lairds’ lan’s met at a burn,
To dip her left sark-sleeve in,
Was bent that night.

Whiles owre a linn the burnie plays,
As thro’ the glen it wimpl’t;
Whiles round a rocky scar it strays,
Whiles in a wiel it dimpl’t;
Whiles glitter’d to the nightly rays,
Wi’ bickerin’, dancin’ dazzle;
Whiles cookit undeneath the braes,
Below the spreading hazel
Unseen that night.

Amang the brachens, on the brae,
Between her an’ the moon,
The deil, or else an outler quey,
Gat up an’ ga’e a croon:
Poor Leezie’s heart maist lap the hool;
Near lav’rock-height she jumpit,
But mist a fit, an’ in the pool
Out-owre the lugs she plumpit,
Wi’ a plunge that night.

In order, on the clean hearth-stane,
The luggies three are ranged;
An’ ev’ry time great care is ta’en
To see them duly changed:
Auld uncle John, wha wedlock’s joys
Sin’ Mar’s-year did desire,
Because he gat the toom dish thrice,
He heav’d them on the fire
In wrath that night.

Wi’ merry sangs, an’ friendly cracks,
I wat they did na weary;
And unco tales, an’ funnie jokes-
Their sports were cheap an’ cheery:
Till butter’d sowens, wi’ fragrant lunt,
Set a’ their gabs a-steerin;
Syne, wi’ a social glass o’ strunt,
They parted aff careerin
Fu’ blythe that night.

It’s an interesting perspective that the phoenix might not want to keep being reborn. My favorite line is: No phoenix can be told,/This is the end of the song.

The Phoenix Again
By May Sarton

On the ashes of this nest
Love wove with deathly fire
The phoenix takes its rest
Forgetting all desire.

After the flame, a pause,
After the pain, rebirth.
Obeying nature’s laws
The phoenix goes to earth.

You cannot call it old
You cannot call it young.
No phoenix can be told,
This is the end of the song.

It struggles now alone
Against death and self-doubt,
But underneath the bone
The wings are pushing out.

And one cold starry night
Whatever your belief
The phoenix will take flight
Over the seas of grief

To sing her thrilling song
To stars and waves and sky
For neither old nor young
The phoenix does not die.

This one is also courtesy of Katie (because she’s awesome!).

From neilgaiman.net: Instructions: This is a poem about what to do if you find yourself in a Fairy Tale. It is guaranteed to work. If you find yourself in a Fairy Tale, and, despite following these instructions to the letter, you are eaten by wolves or lost, never to be seen again, the publisher will refund the cost of this CD.

Instructions
By Neil Gaiman

Touch the wooden gate in the wall you never saw before.
Say “please” before you open the latch,
go through,
walk down the path.
A red metal imp hangs from the green-painted front door,
as a knocker,
do not touch it; it will bite your fingers.
Walk through the house. Take nothing. Eat nothing.
However,
if any creature tells you that it hungers,
feed it.
If it tells you that it is dirty,
clean it.
If it cries to you that it hurts,
if you can,
ease its pain.

From the back garden you will be able to see the wild wood.
The deep well you walk past leads to winter’s realm;
there is another land at the bottom of it.
If you turn around here,
you can walk back safely;
you will lose no face. I will think no less of you.

Once through the garden you will be in the wood.
The trees are old. Eyes peer from the undergrowth.
Beneath a twisted oak sits an old woman. She may ask for something;
give it to her. She
will point the way to the castle.
Inside it are three princesses.
Do not trust the youngest. Walk on.
In the clearing beyond the caste the twelve months sit about a fire,
warming their feet, exchanging tales.
They may do favors for you, if you are polite.
You may pick strawberries in December’s frost.
Trust the wolves, but do not tell them where you are going.
The river can be crossed by the ferry. The ferry-man will take you.
(The answer to his question is this:
If he hands the oar to his passenger, he will be free to leave the boat.
Only tell him this from a safe distance.)

If an eagle gives you a feather, keep it safe.
Remember: that giants sleep too soundly; that
witches are often betrayed by their appetites;
dragons have one soft spot, somewhere, always;
hearts can be well-hidden,
and you betray them with your tongue.

Do not be jealous of your sister.
Know that diamonds and roses
are as uncomfortable when they tumble from one’s lips as toads and frogs:
colder, too, and sharper, and they cut.

Remember your name.
Do not lose hope—what you seek will be found.
Trust ghosts. Trust those that you have helped to help you in their turn.
Trust dreams.
Trust your heart, and trust your story.
When you come back, return the way you came.
Favors will be returned, debts be repaid.
Do not forget your manners.
Do not look back.
Ride the wise eagle (you shall not fall)
Ride the silver fish (you will not drown)
Ride the gray wolf (hold tightly to his fur).

There is a worm at the heart of the tower; that is why it will not stand.

When you reach the little house, the place your journey started,
you will recognize it, although it will seem much smaller than you remember.
Walk up the path, and through the garden gate you never saw but once.
And then go home. Or make a home.

Or rest.

Thanks to Katie for sending this one along.

Messenger
By Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

I picked up Moon-Whales and Other Poems by Ted Hughes from the library after I learned of its existence (yay!) via Andrew Smith’s Moondust. Here’s the title poem.

Moon-Whales
By Ted Hughes

They plough through the moon stuff
Just under the surface
Lifting the moon’s skin
Like a muscle
But so slowly it seems like a lasting mountain
Breathing so rarely it seems like a volcano
Leaving a hole blasted in the moon’s skin

Sometimes they plunge deep
Under the moon’s plains
Making their magnetic way
Through the moon’s interior metals
Sending the astronaut’s instruments scatty.

Their music is immense
Each note hundreds of years long
Each complete tune a moon-age

So they sing to each other unending songs
As unmoving they move their immovable masses

Their closed eyes ecstatic

This one’s for Katie, who introduced me to García Lorca. (I swiped it from here, translated by Lysander Kemp.)

The Old Lizard
By Federico García Lorca

In the parched path
I have seen the good lizard
(one drop of crocodile)
meditating.
With his green frock-coat
of an abbot of the devil,
his correct bearing
and his stiff collar,
he has the sad air
of an old professor.
Those faded eyes
of a broken artist,
how they watch the afternoon
in dismay!

Is this, my friend,
your twilight constitutional?
Please use your cane,
you are very old, Mr. Lizard,
and the children of the village
may startle you.
What are you seeking in the path,
my near-sighted philosopher,
if the wavering phantasm
of the parched afternoon
has broken the horizon?

Are you seeking the blue alms
of the moribund heaven?
A penny of a star?
Or perhaps
you’ve been reading a volume
of Lamartine, and you relish
the plateresque trills
of the birds?

(You watch the setting sun,
and your eyes shine,
oh, dragon of the frogs,
with a human radiance.
Ideas, gondolas without oars,
cross the shadowy
waters of your
burnt-out eyes.)

Have you come looking
for that lovely lady lizard,
green as the wheatfields
of May,
as the long locks
of sleeping pools,
who scorned you, and then
left you in your field?
Oh, sweet idyll, broken
among the sweet sedges!
But, live! What the devil!
I like you.
The motto “I oppose
the serpent” triumphs
in that grand double chin
of a Christian archbishop.

Now the sun has dissolved
in the cup of the mountains,
and the flocks
cloud the roadway.
It is the hour to depart:
leave the dry path
and your meditations.
You will have time
to look at the stars
when the worms are eating you
at their leisure.

Go home to your house
by the village, of the crickets!
Good night, my friend
Mr. Lizard!

Now the field is empty,
the mountains dim,
the roadway deserted.
Only, now and again,
a cuckoo sings in the darkness
of the poplar trees.

Dylan Thomas was also mentioned in Returning to Earth and this one seemed appropriate to post today.

Poem in October
By Dylan Thomas

   It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
   And the mussel pooled and the heron
         Priested shore
      The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
      Myself to set foot
         That second
In the still sleeping town and set forth.

   My birthday began with the water—
Birds and the birds of the winged trees flying my name
   Above the farms and the white horses
         And I rose
      In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
      Over the border
         And the gates
Of the town closed as the town awoke.

   A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
   Blackbirds and the sun of October
         Summery
      On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
      To the rain wringing
         Wind blow cold
In the wood faraway under me.

   Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
   With its horns through mist and the castle
         Brown as owls
      But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
      There could I marvel
         My birthday
Away but the weather turned around.

   It turned away from the blithe country
And down the other air and the blue altered sky
   Streamed again a wonder of summer
         With apples
      Pears and red currants
And I saw in the turning so clearly a child’s
Forgotten mornings when he walked with his mother
      Through the parables
         Of sun light
And the legends of the green chapels

   And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
   These were the woods the river and sea
         Where a boy
      In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
      And the mystery
         Sang alive
Still in the water and singingbirds.

   And there could I marvel my birthday
Away but the weather turned around. And the true
   Joy of the long dead child sang burning
         In the sun.
      It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
      O may my heart’s truth
         Still be sung
On this high hill in a year’s turning.

I just finished reading Returning to Earth by Jim Harrison and Akhmatova was mentioned therein.

You Will Hear Thunder
Anna Akhmatova

You will hear thunder and remember me,
And think: she wanted storms. The rim
Of the sky will be the colour of hard crimson,
And your heart, as it was then, will be on fire.

That day in Moscow, it will all come true,
when, for the last time, I take my leave,
And hasten to the heights that I have longed for,
Leaving my shadow still to be with you.

Usually I’m annoyed when there just isn’t enough information about a person or subject (I just want to know some facts), but I kind of like the aura of mystique that shrouds Miss Emily. It’s likely we’ll never really know what went on in her head and I like Pastan’s separation of legend from personal opinion.

Emily Dickinson
By Linda Pastan

We think of hidden in a white dress
among the folded linens and sachets
of well-kept cupboards, or just out of sight
sending jellies and notes with no address
to all the wondering Amherst neighbors.
Eccentric as New England weather
the stiff wind of her mind, stinging or gentle,
blew two half imagined lovers off.
Yet legend won’t explain the sheer sanity
of vision, the serious mischief
of language, the economy of pain.

I’d previously posted a poem by Edward Field that I read in Celebrating America, so I went looking for another one. This was the only one I found online, and I (morbidly, as usual) like it.

The Farewell
By Edward Field

They say the ice will hold
so there I go,
forced to believe them by my act of trusting people,
stepping out on it,

and naturally it gaps open
and I, forced to carry on coolly
by my act of being imperturbable,
slide erectly into the water wearing my captain’s helmet,
waving to the shore with a sad smile,
“Goodbye my darlings, goodbye dear one,”
as the ice meets again over my head with a click.

I had a really wonderful conversation with a friend tonight and I wanted to post this poem because it fits with some of the things we discussed.

A Way Around
By Naomi Shihab Nye

Argument
is a room I won’t enter.
Some of us
would circle a whole house
not to enter it.

If you want to talk like that,
try a tree.
A tree is patient.
Don’t try me.

I had nothing to post today and no time all day to do it. Lo and behold, when I got home there was a poem from my buddies in west Texas, so now I do have something to share! I believe this was in The New Yorker and it was translated from the Polish by Clare Cavanagh.

Karmelicka
By Adam Zagajewski

Karmelicka Street, a sky-blue train, the sun,
September, the first day after vacation,
some have come home from long trips,
armored divisions enter Poland,
children off to school dressed in their best,
white and navy blue, like sails and sea,
like memory and grapes and inspiration.
The trees stand at attention, honoring
the power of young minds that haven’t yet
known fire and sleep and can do what they want,
nothing can stop them
(not counting invisible limits).

The trees greet the young respectfully,
but your—be truthful—envy
that starting out, that setting off
from home, from childhood, from the sweet darkness
that tastes of almonds, raisins, and poppyseeds,
you stop in the store for bread
and then walk home, unhurried,
whistling and humming carelessly;
your school still hasn’t started,
the teachers have gone, the masters remain,
distant as summer, your sleep sails through the clouds
across the sky.

This is an interesting take on armageddon…

A Song On the End of the World
By Czeslaw Milosz

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
No other end of the world will there be,
No other end of the world will there be.

I really wish I could read this in the original Greek, but I’ll just have to make do with the translation. It’s very simple, yet the image is evocative and sad.

Supplication
By Constantine P. Cavafy

The sea took a sailor to its depths.—
His mother, unsuspecting, goes and lights

a tall candle before the Virgin Mary
for his speedy return and for fine weather—

and always she turns her ear to the wind.
But while she prays and implores,

the icon listens, solemn and sad,
knowing that the son she expects will no longer return.

Current Tea: Masala chai (Assam Indian black tea, cardamom, cinnamon, ginger and vanilla)

I filched a book of Adrienne Rich’s poetry from my sister’s bookcase in NJ, so here’s a selection. I think this one goes along with the resurgence of my space obsession, as it alludes to how small we really are.

Moth Hour
By Adrienne Rich

Space mildews at our touch.
The leaves of the poplar, slowly moving—
aren’t they moth-white, there in the moonbeams?
A million insects die every twilight,
no one even finds their corpses.
Death, slowly moving among the bleached clouds,
knows us better than we know ourselves.
I am gliding backward away from those who knew me
as the moon grows thinner and finally shuts its lantern.
I can be replaced a thousand times,
a box containing death.
When you put out your hand to touch me
you are already reaching toward an empty space.

I’ve filched today’s selection from American Life in Poetry. I didn’t have a raspberry room when I was a little girl, but I did spend an inordinate amount of time outside and had my own hiding places.

The Raspberry Room
Karin Gottshall

It was solid hedge, loops of bramble and thorny
as it had to be with its berries thick as bumblebees.
It drew blood just to get there, but I was queen
of that place, at ten, though the berries shook like fists
in the wind, daring anyone to come in. I was trying
so hard to love this world—real rooms too big and full
of worry to comfortably inhabit—but believing I was born
to live in that cloistered green bower: the raspberry patch
in the back acre of my grandparents’ orchard. I was cross—
stitched and beaded by its fat, dollmaker’s needles. The effort
of sliding under the heavy, spiked tangles that tore
my clothes and smeared me with juice was rewarded
with space, wholly mine, a kind of room out of
the crush of the bushes with a canopy of raspberry
dagger—leaves and a syrup of sun and birdsong.
Hours would pass in the loud buzz of it, blood
made it mine—the adventure of that red sting singing
down my calves, the place the scratches brought me to:
just space enough for a girl to lie down.

I’m still on a bit of an outlaw kick, so here’s a poem about Robin Hood.

Robin Hood
TO A FRIEND
By John Keats

No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter’s shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest’s whispering fleeces,
Since men knew nor rent nor leases.

     No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz’d to hear
Jesting, deep in forest drear.

     On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.

     Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the “grenè shawe”;
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall’n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her—strange! that honey
Can’t be got without hard money!

     So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.

I’m surprised I’ve only posted one poem by Spenser…

One day I wrote her name upon the strand
By Edmund Spenser

One day I wrote her name upon the strand,
But came the waves and washed it away:
Again I wrote it with a second hand,
But came the tide, and made my pains his prey.
Vain man, said she, that dost in vain assay
A mortal thing so to immortalize!
For I myself shall like to this decay,
And eek my name be wiped out likewise.
Not so (quoth I), let baser things devise
To die in dust, but you shall live by fame:
My verse your virtues rare shall eternize,
And in the heavens write your glorious name;
Where, whenas death shall all the world subdue,
Our love shall live, and later life renew.

I love the simplicity of this poem.

Why Cling
By Rumi

Why cling to one life
till it is soiled and ragged?
The sun dies and dies
squandering a hundred lives
every instant
God has decreed life for you
and He will give
another and another and another

Yep, still on a space kick, though I actually looked for a poem by Turner since I’d only previously posted one of his.

On the Eclipse of the Moon of October 1865
By Charles Tennyson Turner

One little noise of life remained—I heard
The train pause in the distance, then rush by,
Brawling and hushing, like some busy fly
That murmurs and then settles; nothing stirred
Beside. The shadow of our traveling earth
Hung on the silver moon, which mutely went
Through that grand process, without token sent,
Or any sign to call a gazer forth,
Had I not chanced to see; dumb was the vault
Of heaven, and dumb the fields—no zephyr swept
The forest walks, or through the coppice crept;
Nor other sound the stillness did assault,
Save that faint-brawling railway’s move and halt;
So perfect was the silence Nature kept.

I realized I’d only posted one poem by Piatt before, so I went and found another one.

Out of Tune
By Sarah Morgan Piatt

Someone has told you that the moon is old?
(Do you not see to-night that it is new?)
It just pretends that it is made of gold;
It’s made of—matter? (Matter means what’s true.)

A rainbow is not sure enough at all?
The sky is nothing, only it looks blue?
Some night, you guess, the stars will have to fall
Down in the grass when everything breaks through?

Some things are pretty, but they will not stay?
Out on the cliff you saw the reddest rose,
The wind or something blew it right away—
That black rock lasts forever where it grows?

The butterflies are only worms with wings?
Without them they would not know how to fly?
And we are sinners? Girls should not wear rings
And gloves and sashes—for they have to die?

The sun shines sometimes, but it always rains
Forever, so you can’t play in the sand?
Walnuts and berries spoil your hands with stains?
And—no one knows the way to fairy land?

I was missing my dear Percy, so here’s a depressing poem from him.

Bereavement
By Percy Bysshe Shelley

How stern are the woes of the desolate mourner
As he bends in still grief o’er the hallowed bier,
As enanguished he turns from the laugh of the scorner,
And drops to perfection’s remembrance a tear;
When floods of despair down his pale cheeks are streaming,
When no blissful hope on his bosom is beaming,
Or, if lulled for a while, soon he starts from his dreaming,
And finds torn the soft ties to affection so dear.
Ah, when shall day dawn on the night of the grave,
Or summer succeed to the winter of death?
Rest awhle, hapless victim! and Heaven will save
The spirit that hath faded away with the breath.
Eternity points, in its amaranth bower
Where no clouds of fate o’er the sweet prospect lour,
Unspeakable pleasure, of goodness the dower,
When woe fades away like the mist of the heath.

Andrew Smith included a book of Ted Hughes’s poems in his bibliography for Moondust, and I’d like to get it from the library, but in the meantime, here’s a selection I found online.

Full Moon and Little Frieda
By Ted Hughes

A cool small evening shrunk to a dog bark and the clank of a bucket—

And you listening.
A spider’s web, tense for the dew’s touch.
A pail lifted, still and brimming—mirror
To tempt a first star to a tremor.

Cows are going home in the lane there, looping the hedges with their warm wreaths of breath—
A dark river of blood, many boulders,
Balancing unspilled milk.

‘Moon!’ you cry suddenly, ‘Moon! Moon!’

The moon has stepped back like an artist gazing amazed at a work
That points at him amazed.

Current Tea: Thai chai (green tea blended with coconut, ginger and lemongrass)

I’m reading Andrew Smith’s Moondust and he quoted this poem by Blake (I bolded the quoted portion).

Europe: A Prophecy
By William Blake

‘Five windows light the cavern’d Man: thro’ one he breathes the air;
Thro’ one hears music of the spheres; thro’ one the Eternal Vine
Flourishes, that he may receive the grapes; thro’ one can look
And see small portions of the Eternal World that ever groweth;
Thro’ one himself pass out what time he please, but he will not;
For stolen joys are sweet, and bread eaten in secret pleasant.’

So sang a Fairy, mocking, as he sat on a streak’d tulip,
Thinking none saw him: when he ceas’d I started from the trees,
And caught him in my hat, as boys knock down a butterfly.
‘How know you this,’ said I, ’small Sir? where did you learn this song?’
Seeing himself in my possession, thus he answer’d me:
‘My Master, I am yours! command me, for I must obey.’

‘Then tell me, what is the Material World, and is it dead?’
He, laughing, answer’d: ‘I will write a book on leaves of flowers,
If you will feed me on love-thoughts, and give me now and then
A cup of sparkling poetic fancies; so, when I am tipsy,
I’ll sing to you to this soft lute, and show you all alive
The World, when every particle of dust breathes forth its joy.‘

I took him home in my warm bosom: as we went along
Wild flowers I gatherèd; and he show’d me each Eternal Flower:
He laugh’d aloud to see them whimper because they were pluck’d.
They hover’d round me like a cloud of incense. When I came
Into my parlour and sat down, and took my pen to write,
My Fairy sat upon the table, and dictated EUROPE.

Preludium

The nameless Shadowy Female rose from out the breast of Orc,
Her snaky hair brandishing in the winds of Enitharmon;
And thus her voice arose:—

‘O mother Enitharmon, wilt thou bring forth other sons,
To cause my name to vanish, that my place may not be found?
For I am faint with travel,
Like the dark cloud disburden’d in the day of dismal thunder.

‘My roots are brandish’d in the heavens, my fruits in earth beneath
Surge, foam, and labour into life, first born and first consum’d!
Consumèd and consuming!
Then why shouldst thou, Accursèd Mother, bring me into life?

‘I wrap my turban of thick clouds around my lab’ring head,
And fold the sheety waters as a mantle round my limbs;
Yet the red sun and moon
And all the overflowing stars rain down prolific pains.

‘Unwilling I look up to heaven, unwilling count the stars:
Sitting in fathomless abyss of my immortal shrine
I seize their burning power,
And bring forth howling terrors, all-devouring fiery kings,

‘Devouring and devourèd, roaming on dark and desolate mountains,
In forests of Eternal Death, shrieking in hollow trees.
Ah, mother Enitharmon!
Stamp not with solid form this vig’rous progeny of fires.

‘I bring forth from my teeming bosom myriads of flames,
And thou dost stamp them with a signet; then they roam abroad,
And leave me void as death.
Ah! I am drown’d in shady woe and visionary joy.

‘And who shall bind the Infinite with an eternal band
To compass it with swaddling bands? and who shall cherish it
With milk and honey?
I see it smile, and I roll inward, and my voice is past.’

She ceas’d, and roll’d her shady clouds
Into the secret place.

A Prophecy

The deep of winter came,
What time the Secret Child
Descended through the orient gates of the Eternal day:
War ceas’d, and all the troops like shadows fled to their abodes.

Then Enitharmon saw her sons and daughters rise around;
Like pearly clouds they meet together in the crystal house;
And Los, possessor of the Moon, joy’d in the peaceful night,
Thus speaking, while his num’rous sons shook their bright fiery wings:—

‘Again the night is come,
That strong Urthona takes his rest;
And Urizen, unloos’d from chains,
Glows like a meteor in the distant North.
Stretch forth your hands and strike the elemental strings!
Awake the thunders of the deep!

‘The shrill winds wake,
Till all the sons of Urizen look out and envy Los.
Seize all the spirits of life, and bind
Their warbling joys to our loud strings!
Bind all the nourishing sweets of earth
To give us bliss, that we may drink the sparkling wine of Los!
And let us laugh at war,
Despising toil and care,
Because the days and nights of joy in lucky hours renew.

‘Arise, O Orc, from thy deep den!
First-born of Enitharmon, rise!
And we will crown thy head with garlands of the ruddy vine;
For now thou art bound,
And I may see thee in the hour of bliss, my eldest-born.’

The horrent Demon rose, surrounded with red stars of fire,
Whirling about in furious circles round the Immortal Fiend.

Then Enitharmon down descended into his red light,
And thus her voice rose to her children: the distant heavens reply:—

‘Now comes the night of Enitharmon’s joy!
Who shall I call? Who shall I send,
That Woman, lovely Woman, may have dominion?
Arise, O Rintrah! thee I call, and Palamabron, thee!
Go! tell the Human race that Woman’s love is Sin;
That an Eternal life awaits the worms of sixty winters,
In an allegorical abode, where existence hath never come.
Forbid all Joy; and, from her childhood, shall the little Female
Spread nets in every secret path.

‘My weary eyelids draw towards the evening; my bliss is yet but new.

‘Arise! O Rintrah, eldest-born, second to none but Orc!
O lion Rintrah, raise thy fury from thy forests black!
Bring Palamabron, hornèd priest, skipping upon the mountains,
And silent Elynittria, the silver-bowèd queen.
Rintrah, where hast thou hid thy bride?
Weeps she in desert shades?
Alas! my Rintrah, bring the lovely jealous Ocalythron.

‘Arise, my son! bring all thy brethren, O thou King of Fire!
Prince of the Sun! I see thee with thy innumerable race,
Thick as the summer stars;
But each, ramping, his golden mane shakes,
And thine eyes rejoice because of strength, O Rintrah, furious King!’

Enitharmon slept
Eighteen hundred years. Man was a dream,
The night of Nature and their harps unstrung!
She slept in middle of her nightly song
Eighteen hundred years, a Female dream.

Shadows of men in fleeting bands upon the winds
Divide the heavens of Europe;
Till Albion’s Angel, smitten with his own plagues, fled with his bands.
The cloud bears hard on Albion’s shore,
Fill’d with immortal Demons of futurity:
In council gather the smitten Angels of Albion;
The cloud bears hard upon the council-house, down rushing
On the heads of Albion’s Angels.

One hour they lay burièd beneath the ruins of that hall;
But as the stars rise from the Salt Lake, they arise in pain,
In troubled mists, o’erclouded by the terrors of struggling times.

In thoughts perturb’d they rose from the bright ruins, silent following
The fiery King, who sought his ancient temple, serpent-form’d,
That stretches out its shady length along the Island white.
Round him roll’d his clouds of war; silent the Angel went
Along the infinite shores of Thames to golden Verulam.
There stand the venerable porches, that high-towering rear
Their oak-surrounded pillars, form’d of massy stones, uncut
With tool, stones precious!—such eternal in the heavens,
Of colours twelve (few known on earth) give light in the opaque,
Plac’d in the order of the stars; when the five senses whelm’d
In deluge o’er the earth-born man, then turn’d the fluxile eyes
Into two stationary orbs, concentrating all things:
The ever-varying spiral ascents to the Heavens of Heavens
Were bended downward, and the nostrils’ golden gates shut,
Turn’d outward, barr’d, and petrify’d against the Infinite.

Thought chang’d the Infinite to a Serpent, that which pitieth
To a devouring flame; and Man fled from its face and hid
In forests of night: then all the eternal forests were divided
Into earths, rolling in circles of Space, that like an ocean rush’d
And overwhelmèd all except this finite wall of flesh.
Then was the Serpent temple form’d, image of Infinite,
Shut up in finite revolutions, and Man became an Angel,
Heaven a mighty circle turning, God a tyrant crown’d.

Now arriv’d the ancient Guardian at the southern porch,
That planted thick with trees of blackest leaf, and in a vale
Obscure enclos’d the Stone of Night; oblique it stood, o’erhung
With purple flowers and berries red, image of that sweet South,
Once open to the heavens, and elevated on the human neck,
Now overgrown with hair, and cover’d with a story roof
Downward ’tis sunk beneath th’ attractive North, that round the feet,
A raging whirlpool, draws the dizzy enquirer to his grave.

Albion’s Angel rose upon the Stone of Night.
He saw Urizen on the Atlantic;
And his brazen Book,
That Kings and Priests had copièd on Earth,
Expanded from North to South.

And the clouds and fires pale roll’d round in the night of Enitharmon,
Round Albion’s cliffs and London’s walls: still Enitharmon slept.
Rolling volumes of grey mist involve Churches, Palaces, Towers;
For Urizen unclasp’d his Book, feeding his soul with pity.
The youth of England, hid in gloom, curse the pain’d heavens, compell’d
Into the deadly night to see the form of Albion’s Angel.
Their parents brought them forth, and Agèd Ignorance preaches, canting,
On a vast rock, perceiv’d by those senses that are clos’d from thought—
Bleak, dark, abrupt it stands, and overshadows London city.
They saw his bony feet on the rock, the flesh consum’d in flames;
They saw the Serpent temple lifted above, shadowing the Island white;
They heard the voice of Albion’s Angel, howling in flames of Orc,
Seeking the trump of the Last Doom.

Above the rest the howl was heard from Westminster, louder and louder:
The Guardian of the secret codes forsook his ancient mansion,
Driven out by the flames of Orc; his furr’d robes and false locks
Adherèd and grew one with his flesh and nerves, and veins shot thro’ them.
With dismal torment sick, hanging upon the wind, he fled
Grovelling, along Great George Street, thro’ the Park gate: all the soldiers
Fled from his sight: he dragg’d his torments to the wilderness.

Thus was the howl thro’ Europe!
For Orc rejoic’d to hear the howling shadows;
But Palamabron shot his lightnings, trenching down his wide back;
And Rintrah hung with all his legions in the nether deep.

Enitharmon laugh’d in her sleep to see (O woman’s triumph!)
Every house a den, every man bound: the shadows are fill’d
With spectres, and the windows wove over with curses of iron:
Over the doors `Thou shalt not’, and over the chimneys ‘Fear’ is written:
With bands of iron round their necks fasten’d into the walls
The citizens, in leaden gyves the inhabitants of suburbs
Walk heavy; soft and bent are the bones of villagers.

Between the clouds of Urizen the flames of Orc roll heavy
Around the limbs of Albion’s Guardian, his flesh consuming:
Howlings and hissings, shrieks and groans, and voices of despair
Arise around him in the cloudy heavens of Albion. Furious,
The red-limb’d Angel seiz’d in horror and torment
The trump of the Last Doom; but he could not blow the iron tube!
Thrice he assay’d presumptuous to awake the dead to Judgment.
A mighty Spirit leap’d from the land of Albion,
Nam’d Newton: he seiz’d the trump, and blow’d the enormous blast!
Yellow as leaves of autumn, the myriads of Angelic hosts
Fell thro’ the wintry skies, seeking their graves,
Rattling their hollow bones in howling and lamentation.

Then Enitharmon woke, nor knew that she had slept;
And eighteen hundred years were fled
As if they had not been.
She call’d her sons and daughters
To the sports of night
Within her crystal house,
And thus her song proceeds:—

‘Arise, Ethinthus! tho’ the earth-worm call,
Let him call in vain,
Till the night of holy shadows
And human solitude is past!

‘Ethinthus, Queen of Waters, how thou shinest in the sky!
My daughter, how do I rejoice! for thy children flock around,
Like the gay fishes on the wave, when the cold moon drinks the dew.
Ethinthus! thou art sweet as comforts to my fainting soul,
For now thy waters warble round the feet of Enitharmon.

‘Manatha-Varcyon! I behold thee flaming in my halls.
Light of thy mother’s soul! I see thy lovely eagles round;
Thy golden wings are my delight, and thy flames of soft delusion.

‘Where is my luring bird of Eden? Leutha, silent love!
Leutha, the many-colour’d bow delights upon thy wings!
Soft soul of flowers, Leutha!
Sweet smiling Pestilence! I see thy blushing light;
Thy daughters, many changing,
Revolve like sweet perfumes ascending, O Leutha, Silken Queen!

‘Where is the youthful Antamon, Prince of the Pearly Dew?
O Antamon! why wilt thou leave thy mother Enitharmon?
Alone I see thee, crystal form,
Floating upon the bosom’d air,
With lineaments of gratified desire.
My Antamon! the seven churches of Leutha seek thy love.

‘I hear the soft Oothoon in Enitharmon’s tents;
Why wilt thou give up woman’s secrecy, my melancholy child?
Between two moments Bliss is ripe.
O Theotormon! robb’d of joy, I see thy salt tears flow
Down the steps of my crystal house.

‘Sotha and Thiralatha! secret dwellers of dreamful caves,
Arise and please the horrent Fiend with your melodious songs;
Still all your thunders, golden-hoof’d, and bind your horses black.
Orc! smile upon my children,
Smile, son of my afflictions!
Arise, O Orc, and give our mountains joy of thy red light!’

She ceas’d; for all were forth at sport beneath the solemn moon
Waking the stars of Urizen with their immortal songs;
That Nature felt thro’ all her pores the enormous revelry,
Till Morning opened the eastern gate;
Then every one fled to his station, and Enitharmon wept.

But terrible Orc, when he beheld the morning in the East,
Shot from the heights of Enitharmon,
And in the vineyards of red France appear’d the light of his fury.

The Sun glow’d fiery red!
The furious Terrors flew around
On golden chariots, raging with red wheels, dropping with blood
The Lions lash their wrathful tails!
The Tigers couch upon the prey and suck the ruddy tide;
And Enitharmon groans and cries in anguish and dismay.

Then Los arose: his head he rear’d, in snaky thunders clad;
And with a cry that shook all Nature to the utmost pole,
Call’d all his sons to the strife of blood.

Current Tea: wedding tea (Mutan white tea with pink rose buds, vanilla, and lemon)

During trivia lunch, we had this question (from Trivial Pursuit Genus IV): How many of the 14 lines of David Shulman’s 1936 poem Washington Crossing the Delaware are anagrams of the title? I (correctly) guessed that the answer was 14, but hadn’t read the poem… until now.

Washington Crossing the Delaware
By David Shulman

A hard, howling, tossing water scene.
Strong tide was washing hero clean.
“How cold!” Weather stings as in anger.
O Silent night shows war ace danger!

The cold waters swashing on in rage.
Redcoats warn slow his hint engage.
When star general’s action wish’d “Go!”
He saw his ragged continentals row.

Ah, he stands—sailor crew went going.
And so this general watches rowing.
He hastens—winter again grows cold.
A wet crew gain Hessian stronghold.

George can’t lose war with’s hand in;
He’s astern—so go alight, crew, and win!

I had a hankering for some T.S. Eliot.

Morning at the Window
By T.S. Eliot

They are rattling breakfast plates in basement kitchens,
And along the trampled edges of the street
I am aware of the damp souls of housemaids
Sprouting despondently at area gates.

The brown waves of fog toss up to me
Twisted faces from the bottom of the street,
And tear from a passer-by with muddy skirts
An aimless smile that hovers in the air
And vanishes along the level of the roofs.

Current Tea: Clarksville cordial (Indian Korakundah Estate black tea with ginger, orange, & peach)

I’ve been reading about Jesse James as of late, and last night I went to see The Assassination of Jesse James by the Coward Robert Ford. I thought I’d post the lyrics which helped immortalize him (erroneously) as a hero of the magnitude of Robin Hood. The author is unknown, though claimed to be Billy Gashade in the song, and I’ve chosen to post lyrics published by William A. Settle, Jr. in his book Jesse James Was His Name: Fact and Fiction concerning the Careers of the Notorious James Brothers of Missouri, listed as the “most common stanzas of the many variations”. You might also want to listen to the song as recorded by Bruce Springsteen for The Seeger Sessions (which is a fantastic album and you should get it if you don’t have it!).

Jesse James
Author Unknown

Jesse James was a lad who killed many a man.
He robbed the Glendale train.
He stole from the rich and he gave to the poor,
He’d a hand and a heart and a brain.

Jesse had a wife to mourn for his life,
Three children, they were brave,
But that dirty little coward that shot Mister Howard,
Has laid Jesse James in his grave.

It was Robert Ford, that dirty little coward,
I wonder how he does feel,
For he ate of Jesse’s bread and he slept in Jesse’s bed,
Then he laid Jesse James in his grave.

Jesse was a man, a friend to the poor,
He’d never see a man suffer pain,
And with his brother Frank he robbed the Chicago bank,
And stopped the Glendale train.

It was on a Wednesday night, the moon was shining bright,
He stopped the Glendale train,
And the people all did say for many miles away,
It was robbed by Frank and Jesse James.

It was on a Saturday night, Jesse was at home,
Talking to his family brave,
Robert Ford came along like a thief in the night,
And laid Jesse James in his grave.

The people held their breath when they heard of Jesse’s death,
And wondered how he ever came to die,
It was one of the gang called little Robert Ford,
That shot Jesse James on the sly.

Jesse went to his rest with his hand on his breast,
The devil will be upon his knee,
He was born one day in the county of Clay
And he came from a solitary race.

This song was made by Billy Gashade,
As soon as the news did arrive,
He said there was no man with the law in his hand
Could take Jesse James when alive.

Current Tea: Masala chai (Assam Indian black tea, cardamom, cinnamon, ginger and vanilla)

This one comes from Jen. I love getting recommendations from readers!

If you were busy being kind
By R. Foreman

If you were busy being kind,
Before you knew it you would find
You’d soon forget to think ’twas true
That someone was unkind to you.

If you were busy being glad
And cheering people who seem sad,
Although your heart might ache a bit,
You’d soon forget to notice it.

If you were busy being good,
And doing just the best you could,
You’d not have time to blame some man
Who’s doing just the best he can.

If you were busy being true
To what you know you ought to do,
You’d be so busy you’d forget
The blunders of the folks you’ve met.

If you were busy being right,
You’d find yourself too busy quite
To criticize your brother long,
Because he’s busy being wrong.

Current Tea: winter dreams (black tea with chocolate flavoring and peppermint leaves)

Thanks to Katie for suggesting this (and helping me deal with the dearth of poems in my file)!

I Sing the Body Electric
By Walt Whitman

1

I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul?
And if the body were not the soul, what is the soul?

2

The love of the body of man or woman balks account, the body itself balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the folds of their dress, their style as we pass in the street, the contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through the transparent green-shine, or lies with his face up and rolls silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty, good-natured, native-born, out on the vacant lot at sundown after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d neck and the counting;
Such-like I love–I loosen myself, pass freely, am at the mother’s breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with the firemen, and pause, listen, count.

3

I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and beard, the immeasurable meaning of his black eyes, the richness and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal love,
He drank water only, the blood show’d like scarlet through the clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he had a fine one presented to him by a ship-joiner, he had fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish, you would pick him out as the most beautiful and vigorous of the gang,

You would wish long and long to be with him, you would wish to sit by him in the boat that you and he might touch each other.

4

I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round his or her neck for a moment, what is this then?
I do not ask any more delight, I swim in it as in a sea.

There is something in staying close to men and women and looking on them, and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5

This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor, all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response likewise ungovernable,
Hair, bosom, hips, bend of legs, negligent falling hands all diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born of woman,
This the bath of birth, this the merge of small and large, and the outlet again.

Be not ashamed women, your privilege encloses the rest, and is the exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness, sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6

The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to the test of himself,
Whatever the survey, whatever the sea and the sail he strikes soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has no right to a sight?
Do you think matter has cohered together from its diffuse float, and the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7

A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.

Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings, aspirations,
(Do you think they are not there because they are not express’d in parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring through the centuries?
(Who might you find you have come from yourself, if you could trace back through the centuries?)

8

A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful than the most beautiful face.

Have you seen the fool that corrupted his own live body? or the fool that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9

O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward toward the knees,
The thin red jellies within you or within me, the bones and the marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of the soul,
O I say now these are the soul!

Current Tea: Diva blend (Ceylon black tea with hints of hazelnut and chocolate)